Now, when you receive an album that’s partly lauded for its abilities to resurrect a ‘dead genre’ you tend to raise an eyebrow, especially when the genre’s as tragically moribund as that of ‘European Dance.’ The woes of this musical milieu are predicated in Europe’s inexorable ties to musical kitsch; year after year the Eurovision Song Contest, as wonderful as it is, seems to magically parody the year’s previous incarnation with some sick costume montage. It all makes me wonder how long this seemingly unwitting farce can continue before the magic reflects back in on itself – destroying everything, forever.
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